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Del Shannon - Runaway [LP]


Tracklist: A1 Runaway    A2 Handyman    A3 Little Town Flirt    A4 Hats Off To Larry    A5 Keep Searchin' (We'll Follow The Sun)    A6 Stranger In Town    B1 Do You Wanna Dance    B2 Two Silhouettes    B3 Hey Little Girl    B4 So Long...



A1 Runaway    
A2 Handyman    
A3 Little Town Flirt    
A4 Hats Off To Larry    
A5 Keep Searchin' (We'll Follow The Sun)    
A6 Stranger In Town    
B1 Do You Wanna Dance    
B2 Two Silhouettes    
B3 Hey Little Girl    
B4 So Long Baby    
B5 Two Kinds Of Teardrops

American Dream, but it might also be said he was one of its casualties.

Born Charles Weedon Westover, he began playing the guitar and singing at the age of 14. Runaway, which he co-wrote with Max Crook, would be his first hit single. It soared to number one in the US in 1961, and stayed there for five weeks; in the UK it topped the chart for four weeks, but later Shannon would consistently chart higher here than at home.

After fading from the public eye, Shannon turned his talents to producing in the late 1960s. Alcoholism gripped him in the 1970s, and thereafter myriad problems beset his attempts to return to the peak of his powers. Despite an occasional resurfacing, Shannon suffered from depression, and took his life with a 22 calibre rifle in 1990.

Runaway, a forlorn tale of lost love, its rippling piano accompaniment driven by guitar, saxophone and bass rhythm section, guaranteed him a place in the annals of rock’n’roll. While his vocal style, which veered from silky smooth to a wicked rasp before taking off into a soaring falsetto, became his trump card, Runaway also features a surreal, unearthly electronic keyboard solo that gave this single a unique flavour.

It proved a hard act to follow. Shannon’s loud rhythm guitar, characterised by a trace of distortion in reproduction, and too many lyrics that dealt predominantly with broken hearts gave his output a certain sense of similarity. Few of his originals strayed from the model that’d given him success, yet contemporary standards offered him greater variety. The Shannon yodel is certainly apt for From Me to You, a fun replica of the Lennon/McCartney original. The Swiss Maid stands out as pure kitsch with its Alpine echoes of The Lonely Goatherd, and represents something of a high for Shannon’s own material.